Auteur: Allen, Woody
Marque: Arcade
Édition: Large Print
Nombre de pages: 498
Date de sortie: 23-03-2020
Détails: Présentation de l’éditeur The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time. Extrait So here I am, single, about to cast Play It Again, Sam the play with Tony Roberts as my costar. All we need is to find the right girl to play Linda, the female lead. The director is Joe Hardy, a fine director who knows what he’s doing. He and I sat in the back of the theater auditioning one talented actress after another. There’s a lot of talent out there and not enough good roles. Sandy Meisnter was a famous, highly respected acting teacher in New York who ran the Neighborhood Playhouse, where so many terrific actors emerged. Somewhere, he collared David Merrick and raved about a girl in his class that he found to be sensational. Her name was Diane Keaton. Real name Diane Hall, but there already was an actress with that name and the union does not permit one to use a name already in use. So after this buildup, we’re all sitting in the theater waiting for Keaton to audition. In walks a lanky young girl. Let me put it this way: If Huckleberry Finn had been a very beautiful woman, that’s who was up there onstage. Keaton, who apologizes for waking up in the morning, a rube from Orange County, denizen of swap meets and tuna melts; an emigrant to Manhattan who came here and works as a coat-check girl, who had worked the candy concession in a movie house in Orange County and was fired for eating all the candy herself, tried making the few obligatory hello lines to us all. This was a yokel who spoke of her Grammy Hall, the boarder George who got a free turkey from his union every Christmas, and answered compliments with “Honest injun?” But what can I tell you, she was great. Great in every way. One talks about a personality that lights up a room, she lit up a boulevard. Adorable, funny, totally original in style, real, fresh. When she left we knew we had to go through the other scheduled actresses, but in our minds she had the part. Rehearsals under Joe Hardy went smoothly. Tony Roberts was like a kid in a candy store, since the show had a half-dozen pretty girls who’d appear in the lead character’s fantasies. Tony sprang into action the first day, complicating his already baroque social life. I was getting friendlier and friendlier with Tony, but Keaton and I were each pursuing our own social agendas, chatting politely but sparsely. A guy called for her every day, which I naturally thought was her boyfriend but later found out was her manager. I was dating whoever would say yes to my desperate pleas to let me feed them. One time, a week before going to Washington, DC, for our opening I had a date with a very beautiful brunette. I took her to dinner and we had a nic
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